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Frank Sinatra Biography
Born:
Dec. 12, 1915, in Hoboken, N.J. He wasn't breathing when born.
Grandmother
held him underwater until he gasped. Was the son of a firefighter.
Died: May 14, 1998, at 10:50 p.m. at Cedars-Sinai Medical Center;
died of heart attack.
Full name: Francis Albert Sinatra.
Wives: Last wife was Barbara Marx; formerly married to childhood
sweetheart Nancy Barbato, actresses Ava Gardner & Mia Farrow.
Children: Frank Jr. and Nancy Sinatra, who sang hit 1970s song "These Boots Were Made for Walking."
Names: Also known as Chairman of the Board, Ol' Blue Eyes and The
Voice. Other names included Lean Lark, Croon Prince of Swing, Moonlight
Sinatra, Groovey Galahad, and Svengali of Swing.
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Born
December 12, 1915 an only child whose parents dreamed of his studying
to be a Civil Engineer.
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Attended
Demarest High School (Hoboken, NJ) and participated in all sports.
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Sinatra's
favorite passion is prizefighting. Was a "close friend" of Tami Mauriello,
a heavyweight contender in 1943.
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Hated
mathematics!
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Worked
for the circulation manager of the Jersey Observer newspaper. He first
started out riding news trucks, and later was promoted to copy boy.
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He wanted
to be a reporter. When told by the editor that copy boys "don't know
enough to be reporters," Frank went to a secretarial school and enrolled
in a Journalism class, studying English, typing, and shorthand. Finally,
the editor relented and made Frank a cub sports reporter. Frank covered
various school games he actually played himself. He was 18 years old
at the time.
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When
it came to learning how to sing, Frank did it by singing. He never read
a note, and never took a lesson. He did however enjoy spending summers
playing a ukulele on the beaches of the Jersey Shore.
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One of
Frank's idols was Bing Crosby. After hearing Bing sing one night in
1935, he told his date Nancy Barbato (who one day would be his wife)
that he just had to be a singer. Bing's voice would be his role model
for tone and phrasing styles in his own singing later on.
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To get
people interested in hearing him sing, he performed in neighborhood
theater amateur shows, where you could win $10 or a set of dishes! He
went from one movie house to the next. In attendance was Demarest alumni,
who once watched him play basketball!
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Won a
prize on Major Bowes Amateur Hour, which landed him his first professional
contract: $25 per week for being a singer, headwaiter, master of ceremonies,
and a comedian at a country roadhouse called The Rustic Cabin in Englewood
Cliffs, New Jersey. The time period was 1938. At the same time, he began
taking a dozen quarter-hour sustaining programs every week over 4 local,
New Jersey radio stations. Frank's cash take for these events amounted
to 70 cents a week for carfare. Anyway it was around 1938 and people
were beginning to hear Sinatra.
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Harry
James heard Frank sing at The Rustic Cabin in 1939 and signed him to
a two-year contract as lead vocalist in James' new band. This was June
of 1939. Sinatra would be associated with Harry James for only six months.
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At a
musician's benefit in Chicago (December 1939), Tommy Dorsey approached
Frank and told him he was looking for a vocalist. Frank was delighted
and told Dorsey: "I've been trying for years to sing the way you play
trombone." That was the beginning of a three-year relationship between
Sinatra and Dorsey. It was at this time that Frank acquired the rabid
following of young fans, which enabled him later to branch out as a
solo artist. It was also at this time that Frank's career soared.
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Frank
always wanted to serve his country. However, on December 9, 1941, three
days shy of his 26th birthday, he was classified as "4-F" at the Newark
Induction Center because of a "punctured eardrum." Frank earned this
from a playmate on a deserted street in Hoboken (the boy swung a bicycle
chain at Frank during a fight) . Amazingly, it kept him out of the Armed
Forces in 1941 when it was time for him to report.
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He married
his childhood sweetheart, Nancy Barbato in February of 1939. The bowties
you see from a lot of old photos were compliments of Nancy herself.
She knitted them to hide Frank's huge Adam's Apple!!
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Around
November of 1946, Columbia Records estmated that Frank was recording
an average of 24 songs per year, enabling them to issue one new Sinatra
record a month. At that time, his records were selling at an annual
rate of 10 million per year!!
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A talent
agency marketing his voice advertised it as:"The Voice That Thrilled
Millions." This sweeping phrase was condensed by a weary journalist
to simply, "The Voice." The name, as you know, stuck to him ever since.
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In the
Fall of 1942, eager to go out on his own and to get out of his contract
with Dorsey, he pledged one third of his future gross earnings to Dorsey,
and another 10% of his future gross to Dorsey's manager, Leonard Vannerson.
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Manny
Sacks and William Paley of the Columbia Recording Corporation took a
chance on recording Frank as a soloist. Both Columbia and MCA (Frank's
new talent agency) freed Sinatra from Dorsey and Vannerson by paying
them $60,000. The year was 1948.
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Always
hated cops. With some of his first wages from the Jesey Observer, Frank
bought new clothes. While parading them around in Hoboken, the cops
saw them and wanted to know were he got them from. "Ya copper, what's
it to you?" he said to them. When they got through with him he was torn,
tattered, and a bloddy mess; ribs cracked, his nose smashed, and his
face and body horribly swollen. From that day on, all authority has
sent him a little berserk!
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"The
House I Live In," made at the peak of Sinatra's popularity earned him
a special Academy Award in 1945.
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Frank
was first linked to the Mafia in February 1947 in a gossip column report
that stated he was seen in Havana with mobster Lucky Luciano. Later,
in 1949, he was tied to both the Mafia "and" the Communists. The Committee
on Un-American Activities said he followed or appeased some of the Communist
Party line program. Sinatra has flat out denied any involvement with
the Communist Party. Apparently, these accusations continued. On April
8, 1947, Sinatra punched Hearst gossip columnist Lee Mortimer at Ciro's
(Hollywood's hot night spot). The Hearst papers went wild, running whole
pages on this incident, and repeated stories on the Mafia/Communist
charges. Sinatra said he punched Mortimer because the columnist called
him a "dago"! 22. 1949 was Sinatra's "rock bottom" year. He was fired
from his radio show; 6 months after that his New York concerts flopped.
Soon, his personal life was falling apart as fast as his career. He
and Nancy were splitting. His affair with Ava Gardner had become an
open scandal. Columbia Records wanted him out. In 1950, he was released
from his MGM film contract, and his own agent, MCA, dropped him. He
was a has-been at 34.
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Frank
was sick, broke, and reduced to borrowing from Ava Gardner. His career
and personality were near shambles. Friends Toots Shor, Hank Sanicola,
and Jimmy Van Heusen, etc. tried to get him into getting hold of himself.
As it turned out, Frank Sinatra saved Frank Sinatra! He read James Jones'
From Here To Eternity, and knew that the part of Maggio, the
tough little Italian who refused to be broken, could have been written
for him. He went to see Buddy Adler (Columbia Pictures Producer) and
asked to be tested for the part. Adler had 5 other actors ahead of Sinatra
to test. Frank, then went to Henry Cohn (head of Columbia pictures)
to sell himself for the role. Frank sold Cohn, got the part, and the
rest is as they say, history!
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Sinatra,
who plays Montgomery Clift's soldier-buddy in
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From
Here To Eternity, underwent several hours of military training every
day to prepare for his role as Maggio.
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Frank
accepted $8,000 for his role as Maggio in From Here To Eternity.
He had been getting $150,000 per picture prior to this.
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As you
know, Frank won an Academy Award for his portrayl as Maggio in
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From
Here To Eternity. His comeback had started!! Within a few months hew
was back on his feet, making Guys and Dolls, The Tender Trap,
and The Man With The Golden Arm. He signed a new recording contract
with Capitol Records and his singing was better than ever on actual
records and in personal appearances. Three records: ("Young At Heart,"
"Learnin' The Blues" and "The Tender Trap") were million copy sellers.
Capitol later released Songs For Swinging Lovers and NBC offered
him a multimillion dollar, write-his-own-ticket TV contract.
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Frank's
support of then Senator JFK was well documented and filmed. However,
Kennedy's campaign advisors worried about Sinatra's Mafia aura and expressed
the hope that the singer would keep his distance from the Senator, while
still recognizing Frank's valuable contributions to event organization.
After JFK had won the Presidential Election (1960), and in a gesture
of classic macho deference, Sinatra offered to share a prize girlfriend,
Judith Campbell Exner, with the President. Kennedy liked the idea and
began an affair with Exner. (Sinatra's musical hit that year, appropriately
enough, was "All The Way"). Then Sinatra went too far; he introduced
Exner to Chicago Mob leader Sam Giancana. Bobby Kennedy, in the middle
of a campaign to crush the Mafia, put a stop to his brother's involvement
with Exner, and ultimately, strongly reiterated the need for Jack to
stay free and clear of Sinatra. The Kennedy's had been planning to stay
with Sinatra in Frank's Palm Springs compound. Sinatra had remodeled
his house in anticipation of the presidential visit. At the last minute,
JFK announced they stay instead with Bing Crosby-who wasn't even a Democrat!!
To the public, and to Frank, it was an inexplicable snub. He got even
with Bobby later in the 1968 California primary by supporting Humphrey.
Frank later discovered the Humphrey campaign had the same reservations
that the Kennedy campaign had had, and he quietly left.
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Of all
the success Frank endured, his private life remained disturbed. Shortly
after (or during?) his split with Ava, Frank had been reported serious
about only two women: Lauren Bacall (widow of Humphrey Bogart), and
Juliet Prowse (a talented dancer from South Africa). Never quite knowing
if he wanted serious relations or total freedom, he seemed at this time
to develop an allergy to the word "marriage." Whenever it was mentioned,
he would get an itch to run!! And ran he did, with his buddies-The Rat
Pack (Dean Martin, Sammy Davis Jr., Peter Lawford, Joey Bishop).They
would make movies together, sing together, and tour together. They even
had their own lingo!! However, during these times, Frank continued to
be a good father to this children. He was hard to figure out, in terms
of what lifestyle he preferred.
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Sinatra
married Mia Farrow in 1966. He just finished an album he called "September
of My Years." At this time, Frank was 51, Mia was 21. A sixties rebel
and opposed to the Vietnam War, Sinatra's friends claimed he "digged
her brains." They were separated 16 months later in November of 1967
acknowledging that they spent little time together.
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Frank's
key moment in shifting from left to right wing politics seem to have
come during his retirement years (circa 1971-1972). The key moment came
when the House Crime Committee held a new investigation of Sinatra's
mob ties in 1972. The main evidence against him was the testimony of
a confessed hit man who said that a New England Mafia boss had boasted
that Sinatra was "fronting" for him as part owner to two resort hotels.
The committee called Sinatra. The committe counsel later admitted (even
to Frank himself) that the evidence was all hearsay.
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Sinatra
explained his actual shift in political thinking in a New York Times
Op-Ed piece he wrote right after his appearance before the committee.
His old politics of "standing up for the little guy" had been altered.
He saw his subpoena as a prime example of big government oppressing
a little guy. He now embraced the right-wing populism that defined the
principal oppressor of the little guy.
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Sinatra's
Vital Stats in 1964: Height: 5'11" Weight: 155 lbs. Hair: Dark Brown
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In the
mid-1960's, Frank's favorite New York bar was Jilly's Saloon (256 West
52nd Street - currently closed). Sinatra met Jilly in Miami Beach when
performing at the Fontainebleau. They hit it off immediately.
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Sinatra
announced his retirement on March 23, 1971. At the time, he wanted to
spend more time with his family and perhaps write. However, he was back
in the studio on April 30, 1973 to record tracks for his Ol' Blue
Eyes Is Back LP. Obviously, he didn't last long in retirement!
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Sinatra
dislikes women who smoke or drink too much or who wear heavy perfume.
He dislikes roast lamb, fair-weather friends, green salads, phonies,
complainers, and weshers. He is, of course, the perfect host. A great
Italian cook! He lets people believe he is out swinging every night
of the week, when actually he is often home reading. He is a best-seller
addict, and has an insatiable interest in history. He has an excellent
eye for quality French Impressionist paintings. He is what Rosalind
Russell called: "a fake drinker" ... more often than not, he talks more
about drinking than he actually imbibes. He believes the Lennon/McCartney
song "Yesterday" is one of the best songs ever written, and strongly
feels that prizefighter Sugar Ray Robinson was the greatest he ever
saw.
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Sinatra
was an only child of Italian parents, and they spoiled him. From the
beginning, this only child had money. His father was a fireman, but
his mother was a popular Democratic ward leader. Frank had a charge
account at a local department store and a wardrobe so fancy that his
friends called him "Slacksey." He had a secondhand car at 15!! And in
the depths of the Depression, after dropping out of high school, he
had the ultimate luxury, a job unloading trucks at the Jersey Observer.
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During
filming of his movies, Sinatra insisted on one or two takes. This had
led to careless, even shoddy productions. A clear example of this can
be seen in 1970's Dirty Dingus Magee.
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In 1974,
Frank told Daily News columnist Kay Gardella that it was Billie Holiday,
who he first heard in 52nd Street clubs in the 1930's, who was - and
still remains - the greatest single musical influence on him.
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Back
in 1963, the Nevada Gaming Control Board charged that the Chicago mobster
Sam Giancana had been a week-long guest at Sinatra's Cal-Neva Lodge
in Lake Tahoe. The Gaming Control Board sought to revoke Sinatra's casino
gambling license. After debating the issue, Sinatra chose not to fight
the revocation order. Apparently, his friendship with Giancana was more
important than his investment in Nevada,and he sold his interests for
$3.5 million.
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Frank's
father - Anthony Martin Sinatra - ran a saloon when he wasn't working
for the fire department. His father was a blue-eyed Sicilian,close-mouthed,
passive, and in his own way, tough. He once boxed as "Marty O'Brien"
in the years when the Irish ran northern New Jersey.
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Dolly
Sinatra, Frank's mother, was born Natalie Garaventi. When Frank was
born, she was disappointed. Why? She wanted a girl! In fact, prior to
his birth, she had already bought lots of pink clothes. She dressed
Frank in those pink outfits, rather than discard them.
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When
Frank released Trilogy in 1980, it was heralded as his best work
in 15 years. Rolling Stone stated that he was "deeper and rawer
in his bass register, lighter and more inflective in the baritone range.
In concert, the voice sounded impossibly big, animative, cunning, and
formidable. It was as if the presence of an audience somehow impelled
him to renewed levels of ingenuity and intensity."
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Don Costa
stuff: Costa was one of the few certifiable legends in pop music history;
over 280 chart records in more than 30 years; producer; arranger and
friend to a galaxy of musical luminaries including Frank Sinatra. Produced/arranged
a number of Sinatra LPs: She Shot Me Down, Some Nice Things
I Missed, Ol' Blue Eyes Is Back, The Main Event, Cycles,
Sinatra and Strings, etc. Actually wrote the melody on one track
for She Shot Me Down, entitled "Monday Morning Quarterback."
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Frank
Sinatra married Barbara Marx on July 11, 1976. She was formerly married
to one of the 4 famed "Marx Brothers," Zeppo Marx. Barbara Sinatra was
born in Missouri. She moved to Wichita, Kansas during the Second World
War, and upon the War's conclusion, moved to California, where she remains
with Frank to this day. When she first arrived in California, she settled
in Long Beach and ran a modeling school and consulted to the Miss Universe
Beauty Pageants. She had an 8-month stint as a Las Vegas showgirl and
did some modeling for a fashion designer in Los Angeles.
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Frank's
real estate (as of 1983): The Rancho Mirage Compound (Palm Springs,
California); Waldorf Towers Apartment (NYC); large house (Los Angeles).
Frank loves LA and NY the most. On the other hand, Barbara loves New
York City the most. She enjoys attending social events, art museums,
plays, and Broadway shows.
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At Rancho
Mirage during the early 1980's, Frank and Barbara Sinatra feel most
at ease out of all of the homes they own together. There are "his" and
"hers" cactus gardens; door mats monogrammed BAS (for her) and FAS (for
him)!! There's a swimming pool and tennis court, guest houses and green
spaces and a projection room in old railroad caboose, where he also
keeps his collection of model trains. Barbara loves animals, particularly
dogs. At one point, at the Compound, there were as many as eight dogs!
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In the
early 1980's, Sinatra performed in Rio de Janeiro before the largest
audience (175,000 people) ever to attend a concert by a soloist-the
event, at the time, was recorded in the Guinness Book Of World Records.
As an aside note, Frank has also set box office records performing at
Carnegie Hall in New York City.
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Various
Awards: Frank received special awards from the American Society of Composers,
Authors and Publishers, and the National Academy of Recording Arts and
Sciences. In 1983, he was one of 5 recipients to receive a Kennedy Center
Honor. That same year he received two honors of distinction. Variety
Clubs International, the show business charity, saluted him for his
achievements as an entertainer and a humanitarian. As a tribute to him,
the Sinatra Family Children's Unit for the Chronically Ill, was established
at the Seattle Children's Orthopedic Hospital and Medical Center. In
1979, Frank wins the Trustees Award in acknowledgment of his lifetime
of devotion to the high standards of recording artistry. In early 1994,
the Recording Industry Association of America awarded Frank Sinatra
with his first multi-platinum record in his 55-year career, for 2 million
units sold of the all-star vocal collection, Duets. This was
Sinatra's first "multi" platinum record. He scored "platinum" with Strangers
In The Night in 1966, and Greatest Hits in 1968. In addition,
Frank has racked up 21 gold albums in his career.
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Grammy
Awards: Only The Lonely wins for Best Cover Art (1958); Come
Dance With Me wins Album of the Year and Best Male Vocal (1959);
September of My Years wins Album of The Year; "It Was A Very
Good Year" wins Best Male Performance (1965); Sinatra: A Man And
His Music is named Album of The Year. Strangers In The Night
wins Record Of The Year and Best Male Vocal Performance (1966); Grammy
Legend Award (1994).
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Harry
Connick Jr. on Frank Sinatra: "Sinatra is the total master of vocal
technique. He was the first at holding phrases for such a long time,
sliding from note to note. The way he can get vibrato on the high notes
- it's amazing. Then there is his breath control, the way he can hold
phrases for 20 or 25 seconds. The best example is on 'Old Man River'
from The Concert Sinatra album. He must have an extra set of
lungs; I wish he kept them in my chest."
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Frank's
three children (all conceived with first wife Nancy): Nancy Sandra -
born in 1940; Franklin Wayne Emmanuel (Frank Jr.) - born in 1944; and
Christina (Tina) - born in 1948. Nancy and Frank Jr. were born in Jersey
City; Tina was born in LA.
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Out of
all the songs Frank's recorded, the one he "hates" the most is "Strangers
In the Night."
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Frank
Sinatra has faced triumph, failure and triumph again throughout his
long career as an entertainer. New musical fads and trends-bebop, soft
rock, hard rock, punk, rap, hip-hop-come and go, but somehow the Sinatra
show that exploded half a century ago beats on into the 1990's.
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(Rolling
Stone, 1980) "What Sinatra did was important: he took the songs
of Porter, Gershwin, Arlen, Cahn, Fein, and others and made them seem
personal and imperative. It was an eloquent display of his paradoxical
brand of artistry; touch, yet sensitive, vain yet compassionate, grasping
yet generous. And when Sinatra left the stage, we realized we might
never witness artistry that big and that provocative, again."
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Frank
Sinatra developed a unique white-blues style, supple enough to express
the wide range of his own turbulent emotions. He transformed the tunes
of the great writers into something personal by the sincerity of his
performance; Sinatra actually seemed to "believe" the words he was singing.
Text by - This Is Sinatra
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